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Beatrice Venezi's appointment had been marred in controversy since being announced last September, prompting orchestra members to go on strike.
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In an interview with an Argentine daily, Venezi, 36, insinuated that jobs in the opera orchestra were "practically passed down from father to son", angering musicians.
"I have no godfathers. That is the difference. I do not come from a family of musicians," Venezi said, adding that those who opposed her were "afraid of change, of renewal".
Days after the interview was published, La Fenice announced Venezi was sacked due to "repeated and serious public statements, which were offensive and damaging to the artistic and professional standing" of the theatre and its orchestra.
Venezi's appointment had been marred in controversy since it was announced last September.
Many alleged that Venezi - an unusually young and relatively inexperienced director - was only given the prestigious role because of her proximity with Prime Minister Giorgia Meloni.
Venezi - the daughter of a former leader of the neo-fascist Forza Nuova party - has been working as a musical consultant for the Ministry of Culture since 2022.
In October, the workers' union called a strike to protest Venezi's appointment. Many of La Fenice's musicians and staff questioned her credentials, arguing that she was unfit to become the music director of one of Italy's most important theatres.
Venezi, who became a conductor at 22, has worked as a conductor in Italy and internationally, including in Armenia, Uruguay and Argentina.
Her resume was "not remotely comparable to that of the great conductors who have previously held the post of Music Director of this theatre", staff wrote in an open letter to La Fenice General Manager Nicola Colabianchi.
While general managers have the right to choose musical directors independently, in practice they typically consult the orchestra to ensure that the musicians can work effectively with the director. I
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